
English Rose, Australian Thorn
Inspired by Norman Lindsay’s thorny relationship with England, this exhibition explores how Australian culture has transplanted, pruned or uprooted its English heritage. Besides Lindsay, featured artists include Graham Burstow, Sophie Carnell, Deborah Klein, George Lambert, Lionel Lindsay and Zoja Trofimiuk.

In Her Honour: Celebrating Lucy
On the 75th Anniversary of the gifting of The Fred and Lucy Gould Art Collection to the people of Toowoomba, the Gallery celebrates the artistic talent of the woman behind the collection – Lucy.

Dust Country
This exhibition regards the empire of dust and the dust of empire. It features works about how imperial processes turned the ancient lands of Australia into dust country.

Archie Moore | Mīal
On tour from the National Portrait Gallery’s collection, Mīal is a fractured self-portrait by Archie Moore (Kamilaroi/Bigambul). Comprising 34 pieces relating to colours of the artist's body parts, it continues Moore’s practice exploring the politics of identity, racism and language systems.

Intersections | Changing Views of Old and New
Create your own connections with and between eye-catching artworks in this exhibition of contemporary and historical holdings selected from the gallery’s collections. Featured artists include Tony Albert, Gordon Bennett, Rew Hanks, Norman Lindsay, Margaret Preston, Christian Thompson and Judy Watson.

International Art Textile Biennale 2025
International Art Textile Biennale showcases innovative practices within contemporary textile art and celebrates a diverse range of works that explore and push the boundaries of the textile medium.

Let There Be Light | Rosemary Williamson
Let There Be Light by Rosemary Williamson depicts the glorious light and life of the Australian landscape. The exhibition’s oils on canvas are an ode to Rosemary’s obsession with capturing the beauty of nature's play on light and shadow.

InStudio InSights
InStudio InSights features local artists participating in the 2025 InStudio Art Trail and showcases the diversity of their creative vision and practice.

Toast 2 | The Field Guide's
Inspired by a random TikTok, and then the works of Japanese artist Manami Sasaki, The Field Guide is once again leaning into the whimsy, and curating an exhibition of artworks on toast. Is it kitsch? Perhaps. Is it pop art? Possibly. Is it cool? Absolutely.

Watercolour Heart
Local prize-winning artist, workshop tutor, and demonstrator, Bruce Griffiths presents his 20th solo exhibition, Watercolour Heart - a select collection of works that explore light, story, and emotion through the delicate medium of watercolour.

ASIA PACIFIC TRIENNIAL KIDS ON TOUR
Families and children can experience exciting free hands-on art-making activities when the Queensland Art Gallery | Gallery of Modern (QAGOMA) presents Asia Pacific Triennial Kids on Tour

Take a Closer Look – Susan Wellingham
Susan Wellingham invites the viewer to look more closely at the natural world in her exhibition Take a Closer Look. Her series pushes the boundaries of watercolour, capturing local flora and fauna in a soft, impressionistic style.

Shared Words – Lives Lived – Jim Filmer
In Shared Words - Lives Lived, photographer Jim Filmer shares the lives of eight Indigenous Elders. Featuring simply recorded videos and large-scale portraits, these personal narratives invite viewers to see beyond stereotypes, fostering a deeper understanding of Aboriginal individuals and their unique stories.

Quiet Reflection | Febe Zylstra
'Quiet Reflection' is a body of work that explores the intimate terrain of inner thought and emotional resilience. Through a series of figurative pieces, the artist delves into the quiet strength of the human form - each posture and gesture a meditation on contemplation, vulnerability and endurance. These figures are not merely subjects, but echoes of inward journeys, held still in moments of one’s personal truth.

Exhibition | Memento Mori - Ute Braatz, Sian Carlyon and Jess Millicent
Artists, Ute Braatz, Sian Carlyon and Jess Millicent, explore different contemporary printmaking techniques and their reflections on what makes our existences worth living.
The exhibition is based on the historical artistic trope of ‘memento mori’ (remember that you will die) – that life is fleeting – and so we should ‘carpe diem’ (seize the day)! Reinterpreting a long-standing historical artistic practice dating from Roman times through to contemporary ‘still life’, provides opportunities for commentary on social mores. Death is almost a friendly spectre on the periphery, but it is the ultimate social leveller.